dc.contributor.author | John Richardson | |
dc.date.accessioned | 2022-10-28T13:13:22Z | |
dc.date.available | 2022-10-28T13:13:22Z | |
dc.identifier.uri | https://www.utupub.fi/handle/10024/163686 | |
dc.language.iso | en | |
dc.publisher | University of Newcastle | |
dc.title | Virtual Spaces and Gendered Meanings in the Production and Performances of Studio Killers | |
dc.identifier.url | http://www.radical-musicology.org.uk/2019/Richardson.htm | |
dc.identifier.urn | URN:NBN:fi-fe2021042821873 | |
dc.relation.volume | 7 | |
dc.contributor.organization | fi=mediatutkimus, musiikkitiede ja taidehistoria|en=Art History, Musicology and Media Studies| | |
dc.contributor.organization-code | 2602223 | |
dc.converis.publication-id | 40061384 | |
dc.converis.url | https://research.utu.fi/converis/portal/Publication/40061384 | |
dc.identifier.jour-issn | 1751-7788 | |
dc.okm.affiliatedauthor | Richardson, John | |
dc.okm.discipline | 6131 Teatteri, tanssi, musiikki, muut esittävät taiteet | fi_FI |
dc.okm.discipline | 6131 Theatre, dance, music, other performing arts | en_GB |
dc.okm.internationalcopublication | not an international co-publication | |
dc.okm.internationality | International publication | |
dc.okm.type | Journal article | |
dc.publisher.country | United Kingdom | en_GB |
dc.publisher.country | Britannia | fi_FI |
dc.publisher.country-code | GB | |
dc.publisher.place | Newcastle | |
dc.relation.ispartofjournal | Radical Musicology | |
dc.year.issued | 2019 | |