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Bridging worlds: exploring synergies between the arts and biodiversity conservation

Jaric, Ivan; Januchowski-Hartley, Stephanie; Mammola, Stefano; Malumbres-Olarte, Jagoba; Lux, Christina; Crowley, Sarah L.; Albert, Beatrice; Correia, Ricardo A.; Giannoulatou, Ioanna Daphne; Jeschke, Jonathan M.; Ladle, Richard J.; Markes, Sarah; Mutiny, Jane; Pillai, Athulya; Sbragaglia, Valerio; Verissimo, Diogo; Roll, Uri

Bridging worlds: exploring synergies between the arts and biodiversity conservation

Jaric, Ivan
Januchowski-Hartley, Stephanie
Mammola, Stefano
Malumbres-Olarte, Jagoba
Lux, Christina
Crowley, Sarah L.
Albert, Beatrice
Correia, Ricardo A.
Giannoulatou, Ioanna Daphne
Jeschke, Jonathan M.
Ladle, Richard J.
Markes, Sarah
Mutiny, Jane
Pillai, Athulya
Sbragaglia, Valerio
Verissimo, Diogo
Roll, Uri
Katso/Avaa
Frontiers in Ecol Environ - 2025 - Jarić - Bridging worlds exploring synergies between the arts and biodiversity.pdf (1.575Mb)
Lataukset: 

John Wiley & Sons
doi:10.1002/fee.70012
URI
https://doi.org/10.1002/fee.70012
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Julkaisun pysyvä osoite on:
https://urn.fi/URN:NBN:fi-fe202601215896
Tiivistelmä

Collaborations between biodiversity conservation and the arts can lead to synergies and fresh approaches to intractable problems. These collaborations can yield diverse mutual benefits, such as offering reciprocal sources of inspiration, information, and learning; providing one another with new tools and resources for synthesis and innovation; securing funding; and contributing to increased visibility and influence. The arts may be uniquely poised to raise awareness, influence behavioral change, improve well-being, and assist with developing conservation tools and materials. Likewise, conservation can provide artists with relevant expertise, nature-based art material, samples, and resources, as well as inform sustainability aspects of the arts. Effective synergies between the arts and conservation will necessitate greater funding and institutional support, improved willingness to collaborate, better recognition of the benefits of artists’ involvement in interdisciplinary conservation teams, and sound empirical methods to gauge such collaborations

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