From 'Hard Rock Hallelujah' to 'Ukonhauta' in Nokialand: a socionomic perspective on the mood shift in Finland's popular music from 2006 to 2009

dc.contributor.authorMikko Ketovuori
dc.contributor.authorMatt Lampert
dc.contributor.organizationfi=opettajankoulutuslaitos (Turku)|en=Department of Teacher Education (Turku)|
dc.contributor.organization-code2604201
dc.converis.publication-id18576250
dc.converis.urlhttps://research.utu.fi/converis/portal/Publication/18576250
dc.date.accessioned2022-10-28T14:24:14Z
dc.date.available2022-10-28T14:24:14Z
dc.description.abstract<p> </p><p>Social mood in Finland shifted from generally positive in the spring of 2006 to generally negative by the spring of 2009. We identify this change in mood via eight indicators, including the onset of a financial and macroeconomic crisis, a decline in measures of sentiment, a rise in radical politics and the demise of an iconic business unit of one of the country’s most successful firms. From the point of Prechter’s socionomic theory we hypothesize that this change in social mood would also be evident in a greater level of pessimism in the songs on the country’s pop chart in 2009 relative to 2006. To test this this hypothesis, we introduce and validate a tool to measure optimism and pessimism in popular music. We then apply this tool to a random sample of songs from the Finnish pop chart from 2006 and a comparable sample from 2009. Indeed, we find that the sample from 2009 in the aggregate is substantially and significantly more pessimistic than the sample from 2006. The study serves to enrich our understanding of what makes pop songs popular and how popular music is linked psychologically to broader popular culture and other domains of social expression through a shared social mood.  </p><p> <br /></p>
dc.format.pagerange237
dc.format.pagerange252
dc.identifier.eissn1474-0095
dc.identifier.jour-issn0261-1430
dc.identifier.olddbid188059
dc.identifier.oldhandle10024/171153
dc.identifier.urihttps://www.utupub.fi/handle/11111/43483
dc.identifier.urnURN:NBN:fi-fe2021042716422
dc.language.isoen
dc.okm.affiliatedauthorKetovuori, Mikko
dc.okm.discipline6131 Theatre, dance, music, other performing artsen_GB
dc.okm.discipline6131 Teatteri, tanssi, musiikki, muut esittävät taiteetfi_FI
dc.okm.internationalcopublicationinternational co-publication
dc.okm.internationalityInternational publication
dc.okm.typeA1 ScientificArticle
dc.publisherCambridge University Press
dc.publisher.countryUnited Kingdomen_GB
dc.publisher.countryBritanniafi_FI
dc.publisher.country-codeGB
dc.relation.doi10.1017/S0261143018000065
dc.relation.ispartofjournalPopular Music
dc.relation.issue2
dc.relation.volume37
dc.source.identifierhttps://www.utupub.fi/handle/10024/171153
dc.titleFrom 'Hard Rock Hallelujah' to 'Ukonhauta' in Nokialand: a socionomic perspective on the mood shift in Finland's popular music from 2006 to 2009
dc.year.issued2018

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