“We have tiny purses in our vaginas!!! #thanksforthat”: absurdity as a feminist method of intervention

dc.contributor.authorSundén Jenny
dc.contributor.authorPaasonen Susanna
dc.contributor.organizationfi=median, musiikin ja taiteen tutkimus|en=Art History, Musicology and Media Studies|
dc.contributor.organization-code1.2.246.10.2458963.20.53191015055
dc.converis.publication-id53063379
dc.converis.urlhttps://research.utu.fi/converis/portal/Publication/53063379
dc.date.accessioned2022-10-28T12:47:29Z
dc.date.available2022-10-28T12:47:29Z
dc.description.abstract<div><br />Purpose</div><div><br /></div><div>According to thesaurus definitions, the absurd translates as “ridiculously unreasonable, unsound, or incongruous”; “extremely silly; not logical and sensible”. As further indicated in the Latin root absurdus, “out of tune, uncouth, inappropriate, ridiculous,” humor in absurd registers plays with that which is out of harmony with both reason and decency. In this article, the authors make an argument for the absurd as a feminist method for tackling heterosexism.</div><div><br />Design/methodology/approach</div><div><br /></div><div>By focusing on the Twitter account “Men Write Women” (est. 2019), the rationale of which is to share literary excerpts from male authors describing women's experiences, thoughts and appearances, and which regularly broadens into social theater in the user reactions, the study explores the critical value of absurdity in feminist social media tactics.</div><div><br />Findings</div><div><br /></div><div>The study proposes the absurd as a means of not merely turning things around, or inside out, but disrupting and eschewing the hegemonic logic on offer. While both absurd humor and feminist activism may begin from a site of reactivity and negative evaluation, it need not remain confined to it. Rather, by turning things preposterous, ludicrous and inappropriate, absurd laughter ends up somewhere different. The feminist value of absurd humor has to do with both its critical edge and with the affective lifts and spaces of ambiguity that it allows for.</div><div><br />Originality/value</div><div><br /></div><div>Research on digital feminist activism has largely focused on the affective dynamics of anger. As there are multiple affective responses to sexism, our article foregrounds laughter and ambivalence as a means of claiming space differently in online cultures rife with hate, sexism and misogyny.<br /><br /></div>
dc.identifier.jour-issn1443-9883
dc.identifier.olddbid178997
dc.identifier.oldhandle10024/162091
dc.identifier.urihttps://www.utupub.fi/handle/11111/36554
dc.identifier.urlhttps://doi.org/10.1108/QRJ-09-2020-0108
dc.identifier.urnURN:NBN:fi-fe2021042825918
dc.language.isoen
dc.okm.affiliatedauthorPaasonen, Susanna
dc.okm.discipline616 Other humanitiesen_GB
dc.okm.discipline616 Muut humanistiset tieteetfi_FI
dc.okm.internationalcopublicationinternational co-publication
dc.okm.internationalityInternational publication
dc.okm.typeA1 ScientificArticle
dc.publisher.countryUnited Kingdomen_GB
dc.publisher.countryBritanniafi_FI
dc.publisher.country-codeGB
dc.relation.doi10.1108/QRJ-09-2020-0108
dc.relation.ispartofjournalQualitative Research Journal
dc.source.identifierhttps://www.utupub.fi/handle/10024/162091
dc.title“We have tiny purses in our vaginas!!! #thanksforthat”: absurdity as a feminist method of intervention
dc.year.issued2021

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