Intersubjectivity at the counter: Artefacts and multimodal interaction in theatre box office encounters

dc.contributor.authorLindstrom JK
dc.contributor.authorNorrby C
dc.contributor.authorWide C
dc.contributor.authorNilsson J
dc.contributor.organizationfi=pohjoismaiset kielet|en=Scandinavian Languages|
dc.contributor.organization-code1.2.246.10.2458963.20.56102455757
dc.converis.publication-id19288532
dc.converis.urlhttps://research.utu.fi/converis/portal/Publication/19288532
dc.date.accessioned2022-10-28T13:39:33Z
dc.date.available2022-10-28T13:39:33Z
dc.description.abstractThe present study investigates the interplay between language, material and embodied resources in one specific type of service encounters: interactions at theatre box offices. The data consist of video recorded interactions in Swedish at three box offices, two in Sweden and one in Finland. Cases representative of the interactions are selected for a multimodal micro-analysis of the customer seller interactions involving-artefacts from the institutional and personal domain.The study specifically aims at advancing our understanding of the role of artefacts for structuring and facilitating communicative events in (institutional) interaction. In this way, it contributes to the growing research interest in the interactional importance of the material world. Our results show that mutual interactional focus is reached through mutual gaze in strategic moments, such as formulation of the reason for the visit. Artefacts are central in enhancing intersubjectivity and mutual focus in that they effectively invite the participants for negotiation, for example, about a seating plan which can be made visually accessible in different ways. Verbal language can be sparse and deictic in these moments while gaze and pointing to an artefact does more specific referential work. Artefacts are also a resource for signalling interactional inaccessibility, the seller orienting to the computer in order to progress a request and the customer orienting to a personal belonging (like a bag) to mirror and accept such a temporary non-accessibility. We also observe that speech can be paced to match the deployment of an artefact so that a focal verbal item is produced without competing, simultaneous physical activity. (C) 2016 The Authors. Published by Elsevier B.V.
dc.format.pagerange81
dc.format.pagerange97
dc.identifier.eissn1879-1387
dc.identifier.jour-issn0378-2166
dc.identifier.olddbid183426
dc.identifier.oldhandle10024/166520
dc.identifier.urihttps://www.utupub.fi/handle/11111/40725
dc.identifier.urnURN:NBN:fi-fe2021042716695
dc.language.isoen
dc.okm.affiliatedauthorWide, Camilla
dc.okm.discipline6121 Languagesen_GB
dc.okm.discipline6121 Kielitieteetfi_FI
dc.okm.internationalcopublicationinternational co-publication
dc.okm.internationalityInternational publication
dc.okm.typeA1 ScientificArticle
dc.publisherELSEVIER SCIENCE BV
dc.publisher.countryNetherlandsen_GB
dc.publisher.countryAlankomaatfi_FI
dc.publisher.country-codeNL
dc.relation.doi10.1016/j.pragma.2016.11.009
dc.relation.ispartofjournalJournal of Pragmatics
dc.relation.volume108
dc.source.identifierhttps://www.utupub.fi/handle/10024/166520
dc.titleIntersubjectivity at the counter: Artefacts and multimodal interaction in theatre box office encounters
dc.year.issued2017

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