An Ontological Theory of Narrative Works: Storygame as Postclassical Literature
| dc.contributor.author | Veli-Matti Karhulahti | |
| dc.contributor.organization | fi=mediatutkimus|en=Media Studies| | |
| dc.contributor.organization-code | 1.2.246.10.2458963.20.34307441286 | |
| dc.converis.publication-id | 1803088 | |
| dc.converis.url | https://research.utu.fi/converis/portal/Publication/1803088 | |
| dc.date.accessioned | 2022-10-27T11:48:50Z | |
| dc.date.available | 2022-10-27T11:48:50Z | |
| dc.description.abstract | <p> This article presents an ontological theory of the <em>narrative work</em> in order to identify the <em>storygame</em> (videogame with high narrativity) as a postclassical narrative phenomenon. The theory is demand-based, meaning that it perceives narrative works through the demands they set for their progression, <em>progression demands</em>. In the postulated ontological theory the article identifies the storygame primarily as an <em>extrademanding narrative work</em>: a narrative work whose progression entails input that is either <em>strategic</em> (constrained by indeterminacy) or <em>time-critical</em> (constrained by time limits). Observing that not all artifacts currently considered ‘storygames’ set strategic or time-critical progression demands leads to the suggestion that some narrative works labeled as such might be better studied, in a very classical sense, as narrative literature.</p> | |
| dc.format.pagerange | 39 | |
| dc.format.pagerange | 73 | |
| dc.identifier.eissn | 2156-7204 | |
| dc.identifier.jour-issn | 1946-2204 | |
| dc.identifier.olddbid | 172025 | |
| dc.identifier.oldhandle | 10024/155119 | |
| dc.identifier.uri | https://www.utupub.fi/handle/11111/29685 | |
| dc.identifier.urn | URN:NBN:fi-fe2021042714301 | |
| dc.language.iso | en | |
| dc.okm.affiliatedauthor | Karhulahti, Matti | |
| dc.okm.discipline | 518 Media and communications | en_GB |
| dc.okm.discipline | 611 Philosophy | en_GB |
| dc.okm.discipline | 6122 Literature studies | en_GB |
| dc.okm.discipline | 6131 Theatre, dance, music, other performing arts | en_GB |
| dc.okm.discipline | 616 Other humanities | en_GB |
| dc.okm.discipline | 999 Others | en_GB |
| dc.okm.discipline | 518 Media- ja viestintätieteet | fi_FI |
| dc.okm.discipline | 611 Filosofia | fi_FI |
| dc.okm.discipline | 6122 Kirjallisuuden tutkimus | fi_FI |
| dc.okm.discipline | 6131 Teatteri, tanssi, musiikki, muut esittävät taiteet | fi_FI |
| dc.okm.discipline | 616 Muut humanistiset tieteet | fi_FI |
| dc.okm.discipline | 999 Muut | fi_FI |
| dc.okm.internationalcopublication | not an international co-publication | |
| dc.okm.internationality | International publication | |
| dc.okm.type | A1 ScientificArticle | |
| dc.publisher | University of Nebraska Press | |
| dc.publisher.country | United States | en_GB |
| dc.publisher.country | Yhdysvallat (USA) | fi_FI |
| dc.publisher.country-code | US | |
| dc.relation.articlenumber | 5 | |
| dc.relation.doi | 10.5250/storyworlds.7.1.0039 | |
| dc.relation.ispartofjournal | Storyworlds | |
| dc.relation.issue | 1 | |
| dc.relation.volume | 7 | |
| dc.source.identifier | https://www.utupub.fi/handle/10024/155119 | |
| dc.title | An Ontological Theory of Narrative Works: Storygame as Postclassical Literature | |
| dc.year.issued | 2015 |
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