A Narrative Approach to the Standard of Originality in EU Copyright Law: The Story of a Dress

dc.contributor.authorHärkönen, Heidi
dc.contributor.organizationfi=oikeustiede|en=Laws|
dc.contributor.organization-code1.2.246.10.2458963.20.53046050752
dc.converis.publication-id485045207
dc.converis.urlhttps://research.utu.fi/converis/portal/Publication/485045207
dc.date.accessioned2025-08-27T22:24:49Z
dc.date.available2025-08-27T22:24:49Z
dc.description.abstract<p>“Originality” is the key requirement for copyright protection in the EU. Judgements of the Court of Justice of the European Union (CJEU) such as <em>Painer</em> and <em>Brompton</em> show that many aspects of the <em>standard of originality</em> are linked as much to the creative process as to the resulting subject matter. This is particularly true for the “free and creative choices” that authors must make when producing a copyright-protected work. However, we do not have much information about how the standard of originality is manifested in the practices of the creative sectors, especially when it comes to applied arts and industrial design, such as fashion design. Combining a narrative approach to research with the doctrinal study of law, this article examines a creative process by following the journey of the design of a garment – a dress – from idea to expression. The narrative is used as a case study to illustrate the kinds of choices made in the creative process that are significant for the dress to merit copyright protection. The significance of these copyright-relevant choices is contrasted with EU design law where they may lead to a different protection outcome. It is concluded that the more information we have about the creative process of an artistic work – regardless of category – the more accurately we can assess whether it qualifies for copyright protection. The article further argues that the process of fashion design is not inherently any less creative than other, less controversial, areas of copyright protection.</p>
dc.format.pagerange289
dc.format.pagerange319
dc.identifier.eissn2195-0237
dc.identifier.jour-issn0018-9855
dc.identifier.olddbid202124
dc.identifier.oldhandle10024/185151
dc.identifier.urihttps://www.utupub.fi/handle/11111/46052
dc.identifier.urlhttps://link.springer.com/article/10.1007/s40319-025-01562-z
dc.identifier.urnURN:NBN:fi-fe2025082789685
dc.language.isoen
dc.okm.affiliatedauthorHärkönen, Heidi
dc.okm.discipline513 Lawen_GB
dc.okm.discipline513 Oikeustiedefi_FI
dc.okm.internationalcopublicationnot an international co-publication
dc.okm.internationalityInternational publication
dc.okm.typeA1 ScientificArticle
dc.publisherSpringer Nature
dc.publisher.countryGermanyen_GB
dc.publisher.countrySaksafi_FI
dc.publisher.country-codeDE
dc.relation.doi10.1007/s40319-025-01562-z
dc.relation.ispartofjournalIIC - International Review of Intellectual Property and Competition Law
dc.relation.issue2
dc.relation.volume56
dc.source.identifierhttps://www.utupub.fi/handle/10024/185151
dc.titleA Narrative Approach to the Standard of Originality in EU Copyright Law: The Story of a Dress
dc.year.issued2025

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