Absurdity, Twitter Comedy, and Humor Bots

dc.contributor.authorSundén, Jenny
dc.contributor.authorPaasonen, Susanna
dc.contributor.organizationfi=median, musiikin ja taiteen tutkimus|en=Art History, Musicology and Media Studies|
dc.contributor.organization-code1.2.246.10.2458963.20.53191015055
dc.converis.publication-id499498129
dc.converis.urlhttps://research.utu.fi/converis/portal/Publication/499498129
dc.date.accessioned2025-08-28T01:37:24Z
dc.date.available2025-08-28T01:37:24Z
dc.description.abstract<p>This chapter explores the world of Twitter bots (on the verge of Elon Musk’s rebranding and decision to charge for the platform’s API) from a particular angle: that of absurd humor. It builds on and advances discussions of absurd humor in general—and feminist and queer humor and absurdity in particular—by studying Twitter bots as part of a landscape where absurd humor is generated in algorithmic assemblages of human imagination and nonhuman repetition and randomness. It explores a strategic selection of humorous Twitter bot accounts, combined with background interviews with two of their creators, operating with slightly different logics: Gender of the day (@genderoftheday), which generated imaginative, poetic, and charmingly nonsensical takes on what the gender of the day could be when capaciously envisioned; a bookish kind of humor generated by Victorian queerbot (@queerstreet), which scoured digitized nineteenth-century novels for the terms “gay” and “queer”; and the eerie flora and fauna coined by the fabulously surrealist poetry bot British Gardens (@GardensBritish). The absurd represents the opposite of reason, rationality, and meaning, as its etymological Latin root, <em>absurdus</em> (“out of tune, uncouth, inappropriate, ridiculous”), suggests. Following this semantic route, absurd humor is out of harmony with reason and notions of decency. The chapter focuses on what happens to such incongruity when it involves not only people but algorithms, and what may be learned about the pleasures of repetition, randomness, and surprise and the minor mundane affective lifts this affords by studying the bots’ output.<br></p>
dc.format.pagerange623
dc.format.pagerange639
dc.identifier.eisbn978-0-19-767553-3
dc.identifier.isbn978-0-19-767550-2
dc.identifier.olddbid207801
dc.identifier.oldhandle10024/190828
dc.identifier.urihttps://www.utupub.fi/handle/11111/57270
dc.identifier.urlhttps://doi.org/10.1093/oxfordhb/9780197675502.013.0031
dc.identifier.urnURN:NBN:fi-fe2025082791768
dc.language.isoen
dc.okm.affiliatedauthorPaasonen, Susanna
dc.okm.discipline518 Media and communicationsen_GB
dc.okm.discipline616 Other humanitiesen_GB
dc.okm.discipline518 Media- ja viestintätieteetfi_FI
dc.okm.discipline616 Muut humanistiset tieteetfi_FI
dc.okm.internationalcopublicationinternational co-publication
dc.okm.internationalityInternational publication
dc.okm.typeA3 Book
dc.publisherOxford University Press
dc.publisher.countryUnited Statesen_GB
dc.publisher.countryYhdysvallat (USA)fi_FI
dc.publisher.country-codeUS
dc.publisher.isbn978-0-19
dc.relation.doi10.1093/oxfordhb/9780197675502.013.0031
dc.source.identifierhttps://www.utupub.fi/handle/10024/190828
dc.titleAbsurdity, Twitter Comedy, and Humor Bots
dc.title.bookThe Oxford Handbook of Screen Comedy
dc.year.issued2025

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