The Enabling Materialities of the Charcoal Suit: A Study of the Politicizing Capacities of Hanna Saarikoski’s Performance C
| dc.contributor.author | Türkmen, Murat M. | |
| dc.contributor.organization | fi=median, musiikin ja taiteen tutkimus|en=Art History, Musicology and Media Studies| | |
| dc.contributor.organization-code | 1.2.246.10.2458963.20.53191015055 | |
| dc.converis.publication-id | 458452107 | |
| dc.converis.url | https://research.utu.fi/converis/portal/Publication/458452107 | |
| dc.date.accessioned | 2025-08-27T23:50:20Z | |
| dc.date.available | 2025-08-27T23:50:20Z | |
| dc.description.abstract | <p>This article focuses on the artist Hanna Saarikoski’s performance C and the charcoal suit <br>that becomes a co-performer in this work. The title of the performance, C, is a symbol for the <br>chemical element carbon, which relates to 1) the main material of the suit, carbonized willow <br>branches, and 2) the human ecological impact on the planet, often called the “carbon footprint”. <br>In this performance, Saarikoski walked through the heart of the city of Turku wearing a bulky <br>black suit, laden with more than one thousand charcoal sticks. I argue that performance C <br>addresses the human-induced environmental emergency by sensually politicizing it and that the <br>charcoal suit actively contributes to this politicizing process by generating sounds, interacting <br>with the surroundings, and thus enabling surprising encounters. In this article, approaching the <br>topic from the perspectives of new materialism, political performance art, and costume studies, <br>I will analyze the ways in which the charcoal suit works as a co-performer and thus contributes <br>to politicizing the human impact on the environment.<br></p> | |
| dc.format.pagerange | 23 | |
| dc.format.pagerange | 43 | |
| dc.identifier.eissn | 2002-3898 | |
| dc.identifier.jour-issn | 0904-6380 | |
| dc.identifier.olddbid | 204713 | |
| dc.identifier.oldhandle | 10024/187740 | |
| dc.identifier.uri | https://www.utupub.fi/handle/11111/53267 | |
| dc.identifier.url | https://doi.org/10.7146/nts.v35i2.149657 | |
| dc.identifier.urn | URN:NBN:fi-fe2025082790529 | |
| dc.language.iso | en | |
| dc.okm.affiliatedauthor | Turkmen, Murat | |
| dc.okm.discipline | 518 Media and communications | en_GB |
| dc.okm.discipline | 6131 Theatre, dance, music, other performing arts | en_GB |
| dc.okm.discipline | 518 Media- ja viestintätieteet | fi_FI |
| dc.okm.discipline | 6131 Teatteri, tanssi, musiikki, muut esittävät taiteet | fi_FI |
| dc.okm.internationalcopublication | not an international co-publication | |
| dc.okm.internationality | International publication | |
| dc.okm.type | A1 ScientificArticle | |
| dc.publisher | Det Kgl. Bibliotek/Royal Danish Library | |
| dc.publisher.country | Denmark | en_GB |
| dc.publisher.country | Tanska | fi_FI |
| dc.publisher.country-code | DK | |
| dc.relation.doi | 10.7146/nts.v35i2.149657 | |
| dc.relation.ispartofjournal | Nordic Theatre Studies | |
| dc.relation.issue | 2 | |
| dc.relation.volume | 35 | |
| dc.source.identifier | https://www.utupub.fi/handle/10024/187740 | |
| dc.title | The Enabling Materialities of the Charcoal Suit: A Study of the Politicizing Capacities of Hanna Saarikoski’s Performance C | |
| dc.year.issued | 2024 |
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