The Enabling Materialities of the Charcoal Suit: A Study of the Politicizing Capacities of Hanna Saarikoski’s Performance C

dc.contributor.authorTürkmen, Murat M.
dc.contributor.organizationfi=median, musiikin ja taiteen tutkimus|en=Art History, Musicology and Media Studies|
dc.contributor.organization-code1.2.246.10.2458963.20.53191015055
dc.converis.publication-id458452107
dc.converis.urlhttps://research.utu.fi/converis/portal/Publication/458452107
dc.date.accessioned2025-08-27T23:50:20Z
dc.date.available2025-08-27T23:50:20Z
dc.description.abstract<p>This article focuses on the artist Hanna Saarikoski’s performance C and the charcoal suit <br>that becomes a co-performer in this work. The title of the performance, C, is a symbol for the <br>chemical element carbon, which relates to 1) the main material of the suit, carbonized willow <br>branches, and 2) the human ecological impact on the planet, often called the “carbon footprint”. <br>In this performance, Saarikoski walked through the heart of the city of Turku wearing a bulky <br>black suit, laden with more than one thousand charcoal sticks. I argue that performance C <br>addresses the human-induced environmental emergency by sensually politicizing it and that the <br>charcoal suit actively contributes to this politicizing process by generating sounds, interacting <br>with the surroundings, and thus enabling surprising encounters. In this article, approaching the <br>topic from the perspectives of new materialism, political performance art, and costume studies, <br>I will analyze the ways in which the charcoal suit works as a co-performer and thus contributes <br>to politicizing the human impact on the environment.<br></p>
dc.format.pagerange23
dc.format.pagerange43
dc.identifier.eissn2002-3898
dc.identifier.jour-issn0904-6380
dc.identifier.olddbid204713
dc.identifier.oldhandle10024/187740
dc.identifier.urihttps://www.utupub.fi/handle/11111/53267
dc.identifier.urlhttps://doi.org/10.7146/nts.v35i2.149657
dc.identifier.urnURN:NBN:fi-fe2025082790529
dc.language.isoen
dc.okm.affiliatedauthorTurkmen, Murat
dc.okm.discipline518 Media and communicationsen_GB
dc.okm.discipline6131 Theatre, dance, music, other performing artsen_GB
dc.okm.discipline518 Media- ja viestintätieteetfi_FI
dc.okm.discipline6131 Teatteri, tanssi, musiikki, muut esittävät taiteetfi_FI
dc.okm.internationalcopublicationnot an international co-publication
dc.okm.internationalityInternational publication
dc.okm.typeA1 ScientificArticle
dc.publisherDet Kgl. Bibliotek/Royal Danish Library
dc.publisher.countryDenmarken_GB
dc.publisher.countryTanskafi_FI
dc.publisher.country-codeDK
dc.relation.doi10.7146/nts.v35i2.149657
dc.relation.ispartofjournalNordic Theatre Studies
dc.relation.issue2
dc.relation.volume35
dc.source.identifierhttps://www.utupub.fi/handle/10024/187740
dc.titleThe Enabling Materialities of the Charcoal Suit: A Study of the Politicizing Capacities of Hanna Saarikoski’s Performance C
dc.year.issued2024

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