The Representation of Queer Identities in Terry Pratchett’s Discworld

Abstract

My thesis offers an analysis and queer reading of a selection of novels from Terry Pratchett’s Discworld series. I have divided my analysis into chapters concerning different groups of characters within the series such as the witches, the undead, and the dwarfs, as well as dedicating a separate chapter for the novel Monstrous Regiment. I aim to show that the Discworld series features a rich and diverse queer minority, as well as stories that explore queer themes related to gender and the development of queer identities. My analysis leans primarily on queer theory, specifically on Judith Butler’s theory on gender performativity, as well as other literature related to both Discworld itself as well as queer themes in literature, and the lived experiences of the queer minority. In my thesis I conclude that in his writing Pratchett showcases the normative and restrictive nature of societal norms related to gender and sexuality. He writes about queer identities in a positive light and normalizes identities beyond the heteronormative and cisnormative narratives of society. These normative structures result in the assumption that heterosexuality and not being transgender are the default and baseline of normalcy and thus place identities beyond these in the position of the Other. Pratchett’s work brings these norms to question and works to dismantle them by the means of parody and humour, as well as the creative adaptation of some of the common tropes of fantasy literature.