Autoilukulttuuri modernisaation merkitsijänä suomalaissa näytelmäelokuvissa 1950- ja 1960-luvuilla

dc.contributor.authorRömpötti Tommi
dc.contributor.organizationfi=median, musiikin ja taiteen tutkimus|en=Art History, Musicology and Media Studies|
dc.contributor.organization-code1.2.246.10.2458963.20.53191015055
dc.converis.publication-id178271055
dc.converis.urlhttps://research.utu.fi/converis/portal/Publication/178271055
dc.date.accessioned2025-08-27T22:23:47Z
dc.date.available2025-08-27T22:23:47Z
dc.description.abstract<p>The increase in private-car use is the key sign of the modernization process. In Finland, the 1950s and 1960s were a special period in the development of car culture, because the number and relative share of private cars increased and, alongside transport and drives from A to B, motoring became a way of life. In this article, I examine the ways in which car culture can be seen as a signifier of modernization in Finnish fiction films between 1950 and 1969. 1950s and 1960s saw the premiere of 334 Finnish fiction films, 223 of which feature cars. In the 1950s, almost two thirds of the films (138/210 films) contain scenes with cars, but in the 1960s, the relative number of these films is significantly higher (85/114 films). I approach the cars and car culture represented in the films in relation to the development of cars on Finnish roads, some current issues of the time, such as road accidents, cars and horses on the road, and the car-related representation of youth. From a real-life perspective, the difference in car culture between the decades is crystallized by the fact that the 1950s is the decade of import restrictions and the 1960s the decade of their end. In Finnish films of the 1950s and 1960s, the modernization of traffic is seen in the increasing number of cars, the diversification of car brands and narratively in the increasing number of shots seen from the moving car. By representing the car as a space for dialogue and placing the camera and the spectator in the moving car, the films guide the spectator to integrate into modern society. In particular, the proliferation of shots seen from the back seat of a car reflects the emphasis on individuality that characterizes modernization, in which the shared vehicle is replaced by a private one as everyday life becomes more technological.</p>
dc.format.pagerange19
dc.format.pagerange40
dc.identifier.jour-issn0782-3053
dc.identifier.olddbid202099
dc.identifier.oldhandle10024/185126
dc.identifier.urihttps://www.utupub.fi/handle/11111/45845
dc.identifier.urlhttps://journal.fi/lahikuva/article/view/125667
dc.identifier.urnURN:NBN:fi-fe2023020125330
dc.language.isofi
dc.okm.affiliatedauthorRömpötti, Tommi
dc.okm.discipline518 Media and communicationsen_GB
dc.okm.discipline518 Media- ja viestintätieteetfi_FI
dc.okm.internationalcopublicationnot an international co-publication
dc.okm.internationalityDomestic publication
dc.okm.typeA2 Scientific Article
dc.publisher.countryFinlanden_GB
dc.publisher.countrySuomifi_FI
dc.publisher.country-codeFI
dc.relation.doi10.23994/lk.125667
dc.relation.ispartofjournalLähikuva
dc.relation.issue4
dc.relation.volume35
dc.source.identifierhttps://www.utupub.fi/handle/10024/185126
dc.titleAutoilukulttuuri modernisaation merkitsijänä suomalaissa näytelmäelokuvissa 1950- ja 1960-luvuilla
dc.year.issued2022

Tiedostot

Näytetään 1 - 1 / 1
Ladataan...
Name:
125667-Artikkelin teksti-262330-1-10-20221221 (1).pdf
Size:
2.5 MB
Format:
Adobe Portable Document Format