The Ethics of Fictionality in History Writing

dc.contributor.authorPihlainen Kalle
dc.contributor.organizationfi=historian, kulttuurin ja taiteiden tutkimuksen laitos|en=School of History, Culture and Arts Studies|
dc.contributor.organization-code1.2.246.10.2458963.20.54210275431
dc.converis.publication-id53649592
dc.converis.urlhttps://research.utu.fi/converis/portal/Publication/53649592
dc.date.accessioned2022-10-28T12:26:11Z
dc.date.available2022-10-28T12:26:11Z
dc.description.abstractFictionality has long been viewed in history writing as near-synonymous with abandoning truth and any supposedly consequent, ethical commitments. Understandably, this attitude has impeded the acceptance of theoretical approaches that aim, instead, to reveal the fundamental connectedness of history's fictional aspects with ethical concerns. This line of thought is nowhere more evident than in the reception of Hayden White. While instrumental in arguing for the similarities between history writing and literary fiction, White has also consistently defended the vital importance of rethinking history's fictionality. His approach considers that historians might work in more consciously emancipatory and ethically informed ways. This article seeks to improve understanding of White's complicated position in two distinct ways: firstly, by rehearsing his critical arguments in the context of their general and far-too-often hostile reception; here, the main goal is to address worries relating, in turn, to the claimed extreme textualism, the assumed denial of reality and the supposedly excessive formalism of his positions. Given the generational demand for reiterating these basics, some of this discussion may prove familiar to readers for whom White's place is already evident. Secondly, the article hopes to contribute to the continuation of White's legacy by indicating a way to by-pass these controversies through a reconceptualization of White's ethical objectives and the responsibility he attributes to historians. This view includes examining an unwarranted tension between interpretations of White's existentialist and poststructuralist commitments in previous readings. The article also identifies the point at which the overlap of these aspects constitutes his expressly ethically motivated relativism.
dc.format.pagerange50
dc.format.pagerange64
dc.identifier.jour-issn1852-9488
dc.identifier.olddbid176370
dc.identifier.oldhandle10024/159464
dc.identifier.urihttps://www.utupub.fi/handle/11111/31740
dc.identifier.urnURN:NBN:fi-fe2021042824500
dc.language.isoen
dc.okm.affiliatedauthorPihlainen, Kalle
dc.okm.discipline615 History and archaeologyen_GB
dc.okm.discipline615 Historia ja arkeologiafi_FI
dc.okm.internationalcopublicationnot an international co-publication
dc.okm.internationalityInternational publication
dc.okm.typeA1 ScientificArticle
dc.publisherLUCAS EMMANUEL MISSERI
dc.publisher.countryArgentinaen_GB
dc.publisher.countryArgentiinafi_FI
dc.publisher.country-codeAR
dc.relation.doi10.34024/prometeica.2021.22.11549
dc.relation.ispartofjournalPrometeica
dc.relation.issue22
dc.source.identifierhttps://www.utupub.fi/handle/10024/159464
dc.titleThe Ethics of Fictionality in History Writing
dc.year.issued2021

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