Does genre make a difference? Classical orchestra/popular band musicians' motivation, self-efficacy, and practice experiences' effects on deliberate practice

dc.contributor.authorSchmidt Simon
dc.contributor.authorGruber Hans
dc.contributor.organizationfi=opettajankoulutuslaitos (Turku)|en=Department of Teacher Education (Turku)|
dc.contributor.organization-code1.2.246.10.2458963.20.17986072860
dc.converis.publication-id175228290
dc.converis.urlhttps://research.utu.fi/converis/portal/Publication/175228290
dc.date.accessioned2022-10-28T13:08:20Z
dc.date.available2022-10-28T13:08:20Z
dc.description.abstract<p>This study investigates the motivational conditions, self-efficacy beliefs, and practice of classical (symphonic, wind) orchestra/popular (rock, pop) band musicians. It thus complements previous research which has shed light on individual aspects of music learning. In both individual and collective work, high quality practice performed in a sufficient amount of time was shown to be very effortful. A mixed-method approach combined a questionnaire and an additional prototypical case interview for each genre with professional musicians. The results show that classical musicians were younger than popular musicians when they started to learn their first and main music instrument and entered their first orchestra or band. While it was confirmed that individual experience was crucial for the time invested in and the quality of deliberate practice, collective practice experiences were also indicated to be a determinant. Furthermore, individual and collective practice were shown to be interrelated. Professional level was suggested to be a more discriminating factor with regard to the variables studied than genre, as professional musicians from both genres deploy deliberate practice strategies in an individual and in a collective context. Improvisation and jamming, however, only appeared in the popular collective and classical individual practice context.<br></p>
dc.format.pagerange69
dc.format.pagerange88
dc.identifier.eissn1741-3087
dc.identifier.jour-issn0305-7356
dc.identifier.olddbid179970
dc.identifier.oldhandle10024/163064
dc.identifier.urihttps://www.utupub.fi/handle/11111/57586
dc.identifier.urlhttps://doi.org/10.1177/03057356221083699
dc.identifier.urnURN:NBN:fi-fe2022081154452
dc.language.isoen
dc.okm.affiliatedauthorGruber, Johann
dc.okm.discipline6131 Theatre, dance, music, other performing artsen_GB
dc.okm.discipline6131 Teatteri, tanssi, musiikki, muut esittävät taiteetfi_FI
dc.okm.internationalcopublicationinternational co-publication
dc.okm.internationalityInternational publication
dc.okm.typeA1 ScientificArticle
dc.publisherSAGE PUBLICATIONS INC
dc.publisher.countryUnited Kingdomen_GB
dc.publisher.countryBritanniafi_FI
dc.publisher.country-codeGB
dc.relation.articlenumber03057356221083699
dc.relation.doi10.1177/03057356221083699
dc.relation.ispartofjournalPsychology of Music
dc.relation.issue1
dc.relation.volume51
dc.source.identifierhttps://www.utupub.fi/handle/10024/163064
dc.titleDoes genre make a difference? Classical orchestra/popular band musicians' motivation, self-efficacy, and practice experiences' effects on deliberate practice
dc.year.issued2023

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