Conductors' views on individual practice activities

dc.contributor.authorJossberger, Helen
dc.contributor.authorHuovinen, Erkki
dc.contributor.authorRitter, Martin
dc.contributor.authorGruber, Hans
dc.contributor.organizationfi=opettajankoulutuslaitos (Turku)|en=Department of Teacher Education (Turku)|
dc.contributor.organization-code1.2.246.10.2458963.20.17986072860
dc.converis.publication-id492316749
dc.converis.urlhttps://research.utu.fi/converis/portal/Publication/492316749
dc.date.accessioned2025-08-27T22:05:36Z
dc.date.available2025-08-27T22:05:36Z
dc.description.abstract<p>This study explored how professional conductors understand the role of individual (purposeful) practice and how they describe the contents of such practice. Twelve professional conductors were interviewed and content analysis was used to analyze the data. The results show that the participants understood conducting as a lifelong learning process. Through intensive individual practice, they had built up a significant repertoire of musical works. Being well prepared allowed them to impart knowledge, which helped them to achieve an authoritative and communicative relationship with musicians. While technical aspects such as baton technique had been important during early career stages, these were mostly no longer practiced. Studying the score was perceived as the most central practice activity aiming at performance improvement. It required disciplined, persistent, and goal-oriented learning, and thus carried the marks of purposeful practice. Individual activities during score study were mainly carried out mentally and in particular situations supported with external tools (e.g., piano, audio recordings). The findings shed light on differences in opinion and implicit tensions, especially regarding memorization and the use of tools.<br></p>
dc.format.pagerange321
dc.format.pagerange336
dc.identifier.eissn1741-3087
dc.identifier.jour-issn0305-7356
dc.identifier.olddbid201619
dc.identifier.oldhandle10024/184646
dc.identifier.urihttps://www.utupub.fi/handle/11111/48662
dc.identifier.urlhttps://journals.sagepub.com/doi/10.1177/03057356241311817
dc.identifier.urnURN:NBN:fi-fe2025082785450
dc.language.isoen
dc.okm.affiliatedauthorGruber, Johann
dc.okm.discipline515 Psychologyen_GB
dc.okm.discipline516 Educational sciencesen_GB
dc.okm.discipline6131 Theatre, dance, music, other performing artsen_GB
dc.okm.discipline515 Psykologiafi_FI
dc.okm.discipline516 Kasvatustieteetfi_FI
dc.okm.discipline6131 Teatteri, tanssi, musiikki, muut esittävät taiteetfi_FI
dc.okm.internationalcopublicationinternational co-publication
dc.okm.internationalityInternational publication
dc.okm.typeA1 ScientificArticle
dc.publisherSAGE PUBLICATIONS INC
dc.publisher.countryUnited Kingdomen_GB
dc.publisher.countryBritanniafi_FI
dc.publisher.country-codeGB
dc.publisher.placeTHOUSAND OAKS
dc.relation.doi10.1177/03057356241311817
dc.relation.ispartofjournalPsychology of Music
dc.relation.issue3
dc.relation.volume53
dc.source.identifierhttps://www.utupub.fi/handle/10024/184646
dc.titleConductors' views on individual practice activities
dc.year.issued2025

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