Populaarimusiikkia kulttuuriperinnön kierrevirrassa. Hymy-lehden organisoima Olavi Virran muistomerkkihanke (1975–1984) kulttuuriperintöprosessina

dc.contributor.authorPeltomäki Anna
dc.contributor.organizationfi=digitaalisen kulttuurin, maiseman ja kulttuuriperinnön tutkimus|en=Degree Programme in Digital Culture, Landscape and Cultural Heritage|
dc.contributor.organization-code1.2.246.10.2458963.20.77579741941
dc.converis.publication-id174659350
dc.converis.urlhttps://research.utu.fi/converis/portal/Publication/174659350
dc.date.accessioned2022-10-27T12:21:44Z
dc.date.available2022-10-27T12:21:44Z
dc.description.abstract<p>The last decade has witnessed a proliferation of academic literature on the expanding heritagization of popular music. Despite this international academic interest, the theoretical underpinnings of cultural heritage studies have been underused in the study of Finnish popular music cultures. </p><p>This article presents a case study of a popular music heritage process in Finland. It examines an early monument scheme honouring one of the most renowned Finnish singers of the 20th century, Olavi Virta (1915–1972). In the article, the monument project – initiated by the tabloid magazine <em>Hymy</em> (engl. <em>smile</em>) in 1975 and completed in 1984 – is retraced as a chain of events in which Olavi Virta’s memory and oeuvre were reinterpreted and repurposed as national popular music heritage. Newspaper and magazine articles covering the monument scheme are analysed through the conceptual framework of cultural heritage identity work: historisation, monumentalisation and participation. </p><p>The article argues that the interviews, memoires and retrospective texts that <em>Hymy</em> published on Virta constituted a historicizing practice that paved the way for the artist’s later monumentalisation. The abstract-constructivist realisation of the monument, critiqued by some as inconsistent with the scheme’s popular objective, is interpreted as a visual parallel to the rehabilitative rhetoric with which <em>Hymy</em> covered the scheme. However, the monument may also be conceived of as the magazine’s assimilation of the beloved artist’s memory at a time when <em>Hymy</em> was struggling to establish a new editorial line in a changing media landscape. While the sculpture’s standing as the first public monument to celebrate Finnish popular music is in question, the article maintains that the Virta monument may nonetheless be regarded as an important forerunner to the mounting public memorialisation of popular music in Finland.</p>
dc.format.pagerange35
dc.format.pagerange65
dc.identifier.jour-issn0355-1059
dc.identifier.olddbid174990
dc.identifier.oldhandle10024/158084
dc.identifier.urihttps://www.utupub.fi/handle/11111/35210
dc.identifier.urlhttps://musiikki.journal.fi/article/view/115712/68336
dc.identifier.urnURN:NBN:fi-fe2022081153885
dc.language.isofi
dc.okm.affiliatedauthorPeltomäki, Anna
dc.okm.discipline6131 Theatre, dance, music, other performing artsen_GB
dc.okm.discipline6132 Visual arts and designen_GB
dc.okm.discipline616 Other humanitiesen_GB
dc.okm.discipline6131 Teatteri, tanssi, musiikki, muut esittävät taiteetfi_FI
dc.okm.discipline6132 Kuvataide ja muotoilufi_FI
dc.okm.discipline616 Muut humanistiset tieteetfi_FI
dc.okm.internationalcopublicationnot an international co-publication
dc.okm.internationalityDomestic publication
dc.okm.typeA1 ScientificArticle
dc.publisherSuomen musiikkitieteellinen seura
dc.publisher.countryFinlanden_GB
dc.publisher.countrySuomifi_FI
dc.publisher.country-codeFI
dc.relation.doi10.51816/musiikki.115712
dc.relation.ispartofjournalMusiikki
dc.relation.issue1
dc.relation.volume52
dc.source.identifierhttps://www.utupub.fi/handle/10024/158084
dc.titlePopulaarimusiikkia kulttuuriperinnön kierrevirrassa. Hymy-lehden organisoima Olavi Virran muistomerkkihanke (1975–1984) kulttuuriperintöprosessina
dc.year.issued2022

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