Virtual Spaces and Gendered Meanings in the Production and Performances of Studio Killers

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dc.contributor.authorJohn Richardson
dc.contributor.organizationfi=median, musiikin ja taiteen tutkimus|en=Art History, Musicology and Media Studies|
dc.contributor.organization-code1.2.246.10.2458963.20.53191015055
dc.converis.publication-id40061384
dc.converis.urlhttps://research.utu.fi/converis/portal/Publication/40061384
dc.date.accessioned2022-10-28T13:13:22Z
dc.date.available2022-10-28T13:13:22Z
dc.identifier.jour-issn1751-7788
dc.identifier.olddbid180592
dc.identifier.oldhandle10024/163686
dc.identifier.urihttps://www.utupub.fi/handle/11111/31848
dc.identifier.urlhttp://www.radical-musicology.org.uk/2019/Richardson.htm
dc.identifier.urnURN:NBN:fi-fe2021042821873
dc.language.isoen
dc.okm.affiliatedauthorRichardson, John
dc.okm.discipline6131 Theatre, dance, music, other performing artsen_GB
dc.okm.discipline6131 Teatteri, tanssi, musiikki, muut esittävät taiteetfi_FI
dc.okm.internationalcopublicationnot an international co-publication
dc.okm.internationalityInternational publication
dc.okm.typeA1 ScientificArticle
dc.publisherUniversity of Newcastle
dc.publisher.countryUnited Kingdomen_GB
dc.publisher.countryBritanniafi_FI
dc.publisher.country-codeGB
dc.publisher.placeNewcastle
dc.relation.ispartofjournalRadical Musicology
dc.relation.volume7
dc.source.identifierhttps://www.utupub.fi/handle/10024/163686
dc.titleVirtual Spaces and Gendered Meanings in the Production and Performances of Studio Killers
dc.year.issued2019

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