Turning to the dark side: Challenging the hegemonic positivity of the creativity discourse
| dc.contributor.author | Josefsson Iva | |
| dc.contributor.author | Blomberg Annika | |
| dc.contributor.organization | fi=Porin yksikkö|en=Pori Unit| | |
| dc.contributor.organization | fi=Turun ihmistieteiden tutkijakollegium (TIAS)|en=Turku Institute for Advanced Studies (TIAS)| | |
| dc.contributor.organization-code | 1.2.246.10.2458963.20.85476593059 | |
| dc.contributor.organization-code | 2601230 | |
| dc.converis.publication-id | 42894458 | |
| dc.converis.url | https://research.utu.fi/converis/portal/Publication/42894458 | |
| dc.date.accessioned | 2022-10-27T11:50:12Z | |
| dc.date.available | 2022-10-27T11:50:12Z | |
| dc.description.abstract | <p>Using a Laclauian discourse approach this paper challenges the hegemony of articulations framing creativity as<br>good, necessary, and as a source of valuable outcomes for organizations and individuals. Instead, this paper<br>argues that creativity has a ‘dark side’, referring to that which is harmful and may result in pain, loss or suffering.<br>We analyze and expose the hegemonic positivity of the creativity discourse within organization studies and<br>discuss the implications of this hegemony. We conclude that the dark side of creativity has been subverted in the<br>discourse and requires further scholarly exploration. To promote a greyer research agenda of creativity in organizations, we offer three theorizations of the dark side of creativity as antagonisms to the hegemony – the<br>individual, collective, and critical. By challenging the hegemonic positivity of creativity and by providing a<br>number of research imaginaries, this paper invites scholars to broaden the discourse and to embrace a more<br>greyer understanding of creativity in organization studies.<br></p> | |
| dc.identifier.eissn | 1873-3387 | |
| dc.identifier.jour-issn | 0956-5221 | |
| dc.identifier.olddbid | 172189 | |
| dc.identifier.oldhandle | 10024/155283 | |
| dc.identifier.uri | https://www.utupub.fi/handle/11111/29945 | |
| dc.identifier.url | https://doi.org/10.1016/j.scaman.2019.101088 | |
| dc.identifier.urn | URN:NBN:fi-fe2021042821291 | |
| dc.language.iso | en | |
| dc.okm.affiliatedauthor | Blomberg, Annika | |
| dc.okm.discipline | 512 Business and management | en_GB |
| dc.okm.discipline | 520 Other social sciences | en_GB |
| dc.okm.discipline | 512 Liiketaloustiede | fi_FI |
| dc.okm.discipline | 520 Muut yhteiskuntatieteet | fi_FI |
| dc.okm.internationalcopublication | international co-publication | |
| dc.okm.internationality | International publication | |
| dc.okm.type | A1 ScientificArticle | |
| dc.publisher | Elsevier | |
| dc.publisher.country | United Kingdom | en_GB |
| dc.publisher.country | Britannia | fi_FI |
| dc.publisher.country-code | GB | |
| dc.relation.articlenumber | 101088 | |
| dc.relation.doi | 10.1016/j.scaman.2019.101088 | |
| dc.relation.ispartofjournal | Scandinavian Journal of Management | |
| dc.relation.issue | 1 | |
| dc.relation.volume | 36 | |
| dc.source.identifier | https://www.utupub.fi/handle/10024/155283 | |
| dc.title | Turning to the dark side: Challenging the hegemonic positivity of the creativity discourse | |
| dc.year.issued | 2020 |
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